Issue 293 hosts an article by Alain Brossat on the
history and "ethics" of prisons; Brossat has
recently published a book "Scarcerare la società"
(Freeing Society from Prison). The issue also marks
the publication of "Mille papaveri rossi",
a CD of the music of Fabrizio De André performed
by a myriad of artists, put together by Marco Pandin.
The issue begins with discussion by Carlo Oliva of the
apparent chaos within the ranks of the government, with
Berlusconi's shameful outbursts and much chest-beating
by Bossi, leader of the Lega. Bossi may be delusional,
but the bosses don't lose their grip: Gianfranco Careri
asks who is defending the rights of the more vulnerable
classes.
Maria Matteo changes the focus to 30 years ago, Chile,
and that other 11 September, the day of Pinochet's coup
and the assassination of Salvador Allende.
To the Middle East, and consideration by Francesco Codello
of the polarisation of Israeli society, with hawks building
walls and others who bravely struggle for a demilitarisation
of Israeli society. Then comes a view through a wider
angle lens, and consideration by Antonio Cardella of
the United Nations, and US attempts, after denigrating
this organisation, to use it to bail themselves out
with its money and men.
Participatory Democracy is the theme of an article by
Andrea Papi, with particular reference to the Brazilian
experience.
The "Fatti & Misfatti" column this month
has a contribution by Patrizia "Pralina" Diamante,
who talks about her love for painting. Mauro Maccario
reviews this year's Festival Ferré at San Benedetto
del Tronto, in which Gino Paoli took part. Serena Tirani
reviews another festival, that of African Cinema in
Milan, held in March.
In "Rassegna Libertaria", Benjamin Atman reviews
"L'innaffiatore del cervello di Passannante"
by Ulderico Pesce, about the anarchist who attempted
to assassinate Umberto I of Savoia in 1878, and also
"American Nightmare" by Sbancor. Monica Ceruti
Giorgi reviews and finds the links between three different
books by women, "Il Dio delle donne" by Luisa
Muraro, "Approfittare dell'assenza" by the
'Diotima' collective, and "A più voci"
by Adriana Cavarero.
Architecture and urban planning is the subject of an
article by Marvi Maggio of Swiss organisation International
Network for Urban Research and Action (INURA), affirming
that "another urban world is possible".
Alessio Lega's series on singer-songwriters, "Canzone
d'autore", continues with a consideration of the
work of Maurice Fanon.
In his article, Luigi Veronelli defends atheism while
criticising anticlericalism.
Massimo Ortalli's "Ritratti in piedi" looks
back on the famous work by Jaroslav Hasek, "The
Good Soldier Svejk".
In "A nous la liberté", Felice Accame
discusses a new literary genre, the "epistolary
art" of letters sent by killers to the relatives
of their victims. In turn, Felice Accame's book "La
funzione ideologica delle teorie della conoscenza"
is reviewed by Francesco Ranci. Omnipresent Felice also
makes a contribution to the letters section, replying
to a letter by Donato Romito asking for clarification
to a point in Accame's article in issue 290 on Carlo
Cafiero and the supposed opposition between communism
and anarchism. Antonio Carnevale also writes in to ask
for issues of "Il Pensiero Mazziniano", which
he considers "shameful", not to be highlighted
in future in the TamTam section of "A".
by Leslie Ray
|