remembering Umberto Tommasini Uniquely capable of
telling It comes in this week for the types of Odradek The blacksmith anarchist. Autobiography between Trieste and Barcelona, the story told in epic tone (Magris as stated in these pages) to himself. It is the revival of a similar volume published in 1984 by Editions Antistius. The story of a militant anarchist-fascist between effort, Spain '36, the confinement at Ventotene, the anarchist militancy after the war, the revival of '68 and the encounter with the young generation.
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Claudio
Magris:
The
first thing that strikes in Tommasini is its extraordinary
ability to think of others first than himself, to dedicate their
lives to free themselves and others. It's not something very
common. It also has a significant political lucidity, clear ideas
about the balance of power, perhaps because the experience made
her skin communist brutality. It has a deep consciousness, rare,
the dreadfulness of contemporary history. At the same time, lives
with absolute spontaneity and simplicity, is expressed in his
dialect because it is the expression of his person. It is not the
vernacular or dialect, because it has a real culture that looks
beyond the narrow horizon of every tower. (...) Claudio Venza: Do you know where you see this too? When he is in confinement at Ventotene in August 1943 and someone says: "You now return to Trieste and you will avenge those who have tortured and repressed." And he answers: "I do not mind this, I'm interested in other things". M: And then his look, his boldness, to the last, in August 1970 when it was attacked by a team of Fascists in the headquarters of the anarchists. V: Do you think he was a happy man, after all? M: Solved, especially. It must have been a little 'too unhappy, but it certainly appears completely solved, it was not one who needed the psychoanalyst's couch. And in this sense, for my part, is to him a lot of envy - an envy good, loving, a desire to be like him. (…) V: I wanted to ask: does Tommasini seem naive to you? M: Yes, but in the sense of Schiller; ingenuity in a good and strong, in fact a natural way. Not a naive intellectual, one that leads us to believe too easily to the realization of their dreams and to underestimate the complexity of reality. I do not underestimate the power of fascism, or that of capitalism. A simplistic ingenuity is undoubtedly present in his thinking, it is likely, moreover, that the political activism, especially in a commitment so strong and absorbent, as at times even the war, would lead to a simplification. The ingenuity is required, but also of cunning Brecht. The Gospel calls to be harmless as doves and wise as serpents. V: You'd make a comparison with Vittorio Vidali, a Stalinist communist militant or better? Tommasini can be defined as an anti-Vidali? M:
In
a way yes, because, unlike probably Vidali, Tommasini has never
been willing to reach an end, to lose the reasons that push you
to achieve that end. In short, to commit injustice and violence
to achieve justice and peace. The tragedy, and probably to blame
for Vidali, are that at some point probably had lost the sense of
the relationship between end and means. On Vidali also many
legends were born to be unfounded, that attribute all manner of
wickedness, I have attended, and I must say, very happily, with
mutual sympathy and receiving many suggestions. V: The anti-Stalinism was a central fact in the life of the anarchist Trieste. M: Vidali avoided Tommasini, didn't he? V: And vice versa: you have never shaken hands. In 1976, when Vidali invited him to participate in a ceremony of the fighters in Spain, and there goes Tommasini writes that he wants to shake the hand of someone who has killed several comrades. M: It must be said, however, that the Communists are reproached, always and rightly so, every crime, while the capitalists get away with everything. It is considered, in their case, that violence is inevitable Machiavellian. Perhaps this is the fact that Communism promised, promised, or a just world, and thus presented with noble ideals, unlike capitalism, then denying, sometimes so ugly, those ideals. It is perhaps this that has attracted a particular ruling, and severity. (...) V: Do you mean something else about the book? M: It's a beautiful book, epic. A book that, in addition to the documentation, it makes you touch the concrete experience of life in this great historical moment and in that dreadful situation, it makes you feel the historical dialectic without falling into any sterile ideology. What makes you feel the reality of fascism, communism, anarchism, with all the contradictions, do not quibble, but living and meeting people. The anarchist Trieste has a remarkable ability to tell, to make living things, to show you that Barcelona, the people, educated with perhaps a single stroke. For example, in two lines gave a beautiful and unforgettable portrait of Pacciardi, that he was not politically close, but he recognizes, at that time, the courage and candor, with which among other things, protected the anarchists. V: So has the narrative skills. Fortunately, with Clara Germani, we were able to record his memoirs. "One of the liveliest books of recent years" had called him once, do you confirm it? M: Yes If not, I would not have made the article for the Courier (August 1984). V: If it's a taste that remains in its own way is a classic. M: Of course. And since I'm partial to the classics ...
Claudio
Venza
An exceptional book, a compelling memory
The intense activity Tommasini led him to meet,
and often paid off with outstanding figures of contemporary
Italian history: the Rosselli brothers Berneri, Di Vittorio
Vidali, from Valiani Pertini from Koestler to Bordiga. Without
making us fully aware, in the early seventies years, we had young
militants every day on our side not only a wise old fellow, but a
historical figure. To ensure that this heritage was lost, two
young friends, in the summer of 1972, did an interview, in
occasions, 16 hours and went to work for several months in the
archives of the fascist police. His thick file of hundreds of
sheets has nothing to envy to those of other best-known
militants. Too bad that few people have done something similar
for other groups of anarchist history.
Here are some judgments made at the time of the output volume in the spring of 1984.
A dangerous book! Four years after his death gave the figure of Tommasini still bother to political Trieste filled with prejudices and fears. In the spring of 1984 the book was to be presented to the Circle of Culture and the Arts (CCA), a public institution funded by the City, but at the last minute the room, regularly booked, was closed with an excuse. The President of the CCA, Giorgio Tombesi, conservative Catholic, had intervened to stop the cultural event that took place, however, in a hotel room nearby where they hijacked the hundreds of participants. Public controversy arose, were collected 500 signatures in a few days of protest against the closure of the hall, and solidarity with the libertarians, between citizens and intellectuals. The discrimination had the opposite effect and in two weeks, the city sold several hundred copies of the 2000 printed.
Another boomerang of power! C.V.
remembering Umberto Tommasini My Umberto Many
years have passed since his death. Yet every so often I think,
sometimes in the same way I think of my loved ones with affection
and regret. Sometimes you come to my mind of thoughts, memories.
I want him any more questions. Clara Germani
A project between documentary, history and new media An Anarchist Life The Association Drop Out, after the success of the production in collaboration with Orion Films documentary "Boundless - story of Emilio" Ivan Bormann, retry the way of production. This time, directing his attention to new forms of production, but especially for fund raising, or collection of funds and funding. The contribution you can give your credit card through the site and ensures maximum control on security. Remind you of anything? Well, basically looks like what is called popular subscription a few years ago. Among the thousands of projects we are developing, we chose the more militant program we had in the drawer, the one on the fabulous life of Umberto Tommasini. This is an incredible man, who has left his great memories so vivid, enthusiastic. Thanks especially to Claudio Venza and Clara Germani, who have collected more than sixteen hours of interviews, this experience is in the book "An anarchist Trieste" (Milan, 1984). Soon will come a new edition with Odradek. Umberto was a militant anarchist passionate, fired a thousand through the history of the twentieth century, including Friuli, Trieste, Spain, France, two world wars, the Fascist confinement, up to '68 and beyond. A man that season of incredible subtle irony huge stories and characters, and immense power that he faces a true libertarian: face to face, as an equal. In his way he not only sees / meets with Vittorio Vidali, but also with Giuseppe Di Vittorio, Antonio Gramsci and a thousand others. Moving the pages where we presented and Luigi Camillo Berneri Calligaris, an anarchist communist first and second, overwhelmed by Stalinism. A story that speaks to us of what was the civil and political passion, particularly anti-authoritarian, aspects of the twentieth century in his fascinating and vital but not only. A story that deserves a movie, of course. To help make this Utopia possible, www.produzionidalbasso.com/pdb_733.html www.indiegogo.com/an-anarchist-life Ciao and thankse
Ivan
Bormann for info: v_adamski@yahoo.it |